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Monday, April 30, 2018

( The Kentucky Derby 2018 ) Patcnews April 30, 2018 The Patriot Conservative News Tea Party Network Reports The Kentucky Derby 2018 © All Copyrights Reserved By Patcnews









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Content and Programming Copyright 2018 By Patcnews The Patriot Conservative News Tea Party Network © LLC UCC 1-308.ALL RIGHTS RESERVED WITHOUT PREJUDICE All copyrights reserved By Patcnews The Patriot Conservative News Tea Party Network Copyright 2018 CQ-Roll Call, Inc. All materials herein are protected by United States copyright law and may not be reproduced, distributed, transmitted, displayed, published or broadcast without the prior written permission of CQ-Roll Call. You may not alter or remove any trademark, copyright or other notice from copies of the content.  © All Copyrights Reserved By Patcnews The Patriot Conservative News Tea Party Network



Sunday, April 29, 2018

( The Trump Prophecy ) Patcnews April 29, 2018 The Patriot Conservative News Tea Party Network Reports The Trump Prophecy © All Copyrights reserved By Patcnews








 ‘The Trump Prophecy,’ the Story of a Man Who Saw the 45th President in Office Before It Happened, Comes to U.S. Cinemas October 2 and 4 Only

Based on the Book by Mark Taylor and Mary Colbert, Audiences Will See Taylor’s Astonishing Personal Experience Portrayed on the Big Screen

DENVER – June 4, 2018 – “The Trump Prophecy” explores Mark Taylor’s vision of the future and the power of prayer. Taylor and Mary Colbert co-wrote the book, “The Trump Prophecies,” chronicling Taylor’s remarkable journey from his traumatic work as a firefighter through the evening of election night, 2016. Part of that book is the basis for “The Trump Prophecy,” coming to movie theaters across the country for an exclusive two-night event this October.

Tickets for “The Trump Prophecy” can be purchased at www.FathomEvents.com and participating theater box offices.

Fathom Events and ReelWorks Studios bring “The Trump Prophecy” to more than 650 select movie theaters on Tuesday, October 2 and Thursday, October 4 at 7:00 p.m. local time (both dates), through Fathom’s Digital Broadcast Network (DBN). For a complete list of theater locations, visit the Fathom Events website (theaters and participants are subject to change).

“I was given the book by a friend who, after reading it, was moved to ask me to consider meeting with Mary Colbert and Mark Taylor to discuss the potential of making this remarkable story into a feature film,” CEO of ReelWorks Studios and producer Rick Eldridge, said. “After I read it, I thought it would make a powerful and empowering film. I took the idea to my team and we decided to move forward.”

On April 28, 2011, Mark Taylor, recently retired from a demanding career as a fireman, awoke at 2:00 a.m. Unable to return to sleep, he turned on his TV. Clicking through channels, he stopped at C-Span; the man on his screen was Donald Trump. At that moment, Taylor heard God say, “You are hearing the voice of the next President.” Little did Taylor know, several dozen video recordings of others documented that they also got the same message and were equally convinced it came from God.

Years later while receiving treatments for post-traumatic stress — remnants from his work as a firefighter — Taylor’s therapist, Dr. Don Colbert, an expert in the treatment of PTS, asked permission to share Taylor’s unusual journal entry with his wife, an international ministry networker, Mary Colbert. Colbert immediately recognized the rhythm and cadence of the April 28 journal entry, as a message that was very important and special. 

“Fathom continues to explore new content that will generate conversation and join people together,” Fathom Events Chief Content and Programming Officer Gordon Synn said. “This event is a great opportunity to explore Mark Taylor’s story and bring his work with Mary to life on the big screen.”

For artwork/photos related to “The Trump Prophecy,” visit the Fathom Events press site.

About Fathom Events
Fathom Events is the leading event cinema distributor with participating theaters in all 100 of the top Designated Market Areas®, and ranks as one of the largest overall distributors of content to movie theaters. Owned by AMC Entertainment Inc. (NYSE: AMC), Cinemark Holdings, Inc. (NYSE: CNK) and Regal Entertainment Group (NYSE: RGC) (known collectively as AC JV, LLC), Fathom Events offers a variety of one-of-a-kind entertainment events in theaters such as live performances of the Metropolitan Opera, top stage productions including Newsies! The Broadway Musical and George Takei’s Allegiance, major sporting events such as Mayweather vs. McGregor, epic concerts with artists like Lady Antebellum and Sammy Hagar, the yearlong TCM Big Screen Classics series, inspirational events such as Is Genesis History? and IN OUR HANDS: The Battle for Jerusalem, and popular anime franchises like Pokémon and Dragon Ball Z. Fathom Events takes audiences behind the scenes for unique extras including audience Q&As, backstage footage and interviews with cast and crew, creating the ultimate VIP experience. Fathom Events’ live digital broadcast network (“DBN”) is the largest cinema broadcast network in North America, bringing live and pre-recorded events to 917 locations and 1,440 screens in 181 DMAs. For more information, visit www.fathomevents.com.

About ReelWorks Studios
ReelWorks Studios, LLC was founded by Rick Eldridge in August of 2009 as a production services and distribution management company. Business offices are located in Charlotte, North Carolina with representation and offices in Santa Monica, California. CEO, Rick Eldridge, has been in the entertainment business for over 35 years as a producer, director, musician, and creative visionary. The company now has over 100 titles under management comprised of feature film, television programming and digital media.

MEDIA CONTACTS:
Jessica Nelson    / Katherine Schwappach               
Fathom Events           
720-262-2753 / 720-262-2713
jnelson@fathomevents.com / kschwappach@fathomevents.com

Jackie Marushka
Marushka Media for ReelWorks Studios
615-417-6500
jackie@MarushkaMedia.com




ReelWorks Studios Delivers The Trump Prophecy
A True Story of Hope and the Power of Prayer
In Movie Theaters Oct. 2 and 4 Only

(Charlotte, NC) May 21, 2018  — On April 28, 2011 Mark Taylor — a recently retired firefighter — woke at 2 AM. Unable to return to sleep, he turned on his TV. Clicking through channels, he stopped at C-Span. The man on his screen was Donald Trump.
At that moment Mark heard God say, “You are hearing the voice of the next President.” Little did Mark know several dozen video recordings of others documented that they also heard the same message and were equally convinced it came from God.

Years later while receiving treatments for post-traumatic stress — remnants from his work as a firefighter — Mark’s therapist, Dr. Don Colbert, an expert in the treatment of PTS, asked permission to share Mark’s unusual journal entry with his wife, an international ministry networker, Mary Colbert. Mary immediately recognized the rhythm and cadence of the April 28 journal entry, as a message that was very important and special.

After seeking counsel and much prayer, Mary created the Nation Builders prayer network, which grew organically to hundreds of thousands of Christians uniting in prayer for our nation and it’s leadership.

Mark and Mary eventually co-wrote a book chronicling his remarkable journey from his stressful work as a firefighter, through the evening election night, 2016. Part of that book is the basis for the The Trump Prophecy — a film focusing on the power of prayer and the biblical mandate to pray for those in authority over us.

Rick Eldridge, CEO of ReelWorks Studios, is the film’s producer. “I was given the book by a friend who asked me to consider meeting with Mary and Mark to discuss the potential of making this story into a feature film. After I read it, I took the idea to my team and we decided to option Mark’s story,” says Rick.

“Things came together quickly and our production timeline began to take shape.We shot in Lynchburg, Virginia — working with several faculty and upper class film students from Liberty University’s film department in a mentoring capacity with our professional film crew. The experience with students shadowing various departments of the production, created an energy and learning environment that was unique and rewarding for all involved.”

"As I now share about the film, people are immediately curious about the title," Rick adds.  "I get a lot of passionate responses. As they listen further, they become compelled by Mark’s prophecy and Mary’s call to action. This film is for the Christian audience, but it is also for anyone who believes — even a little bit —in the power of prayer, and the heritage of our great country.”
The Trump Prophecy tells the story of the power of prayer set against the backdrop of the everyday trials facing a simple man of faith — a dedicated career public servant whom God chose to give a special message of hope for our nation. This story encourages all Americans to pray for our country and our leadership as a scriptural mandate.

The film encourages viewers, that through the power of prayer, acceptance of Biblical principles and adherence to America’s five founding ideals, Equality, Rights, Liberty, Opportunity, and Democracy, that as One Nation Under God we can each make a positive impact on the world around us.
“If my people, which are called by my name, shall humble themselves, pray and seek my face and turn from their wicked ways, then I will hear from heaven and will heal their land.” — 2nd Chronicles 7:14

The Trump Prophecy will come to movie theaters nationwide on October 2 and 4 through Fathom Events, the leading event cinema distributor. Tickets will be available on Friday, June 1, 2018 here: http://thetrumpprophecymovie.com

Follow The Trump Prophecy Movie on Social Media:
Facebook:  https://www.facebook.com/thetrumpprophecy/
Instagram: https://www.instagram.com/trump_prophecy/
Twitter:  https://twitter.com/trump_prophecy
Sign up to receive updates on the film, here: http://thetrumpprophecymovie.com/updates
To view the film's trailer, please visit: http://thetrumpprophecymovie.com

About ReelWorks:
ReelWorks Studios, LLC was founded by Rick Eldridge in August of 2009 as a production services and distribution management company. Business offices are located in Charlotte, North Carolina with representation and offices in Santa Monica, California. CEO, Rick Eldridge, has been in the entertainment business for over 35 years as a producer, director, musician, and creative visionary. The company now has over 100 titles under management comprised of feature film, television programming and digital media.

# # #

For press information, please contact: Jackie Marushka at Jackie@MarushkaMedia.com




CHRIS NELSON - MARK TAYLOR
As a film actor, some of his credits include Chris in Terrence Malick's The New World, starring Colin Farrell, Davey Boy Smith in the independent feature Judges and David in the independent feature As It Is In Heaven.  Additionally, he has worked professionally on stage in Peter Pan (Captain Hook), Les Miserables (Thenardier), Beauty and the Beast (Lumiere), and Mary Poppins (George Banks).  Chris also teaches at Liberty University in the Department of Theatre Arts where he directs, creatively manages The Encounter, a radio drama program (www.encounterseries.com), and coordinates arts programming for young kids.

KAREN BOLES - MARY JO TAYLOR
Karen Boles is an award-winning actress known for portraying strong female protagonists.  She began her training at the VA Governor’s School for the Arts where she interned for two years with the prestigious Virginia Stage Company.  After graduation, Karen continued her studies at Old Dominion University where she originated the role of Sarah Littleton in the world premiere of In the Land of the Adagahi.  As her career broadened into film and television with roles in The FBI Files and In Mysterious Ways, Karen sharpened her on-camera training at The Actors Lab studying under J.D. Lewis.  Recent film and television credits include Sleepy Hollow (Fox), Complications (USA Network), Dynasty (The CW), and Strings (2018).  She is passionate about character-driven narrative stories, enthusiastically seeking out positions both in front of and behind the camera.  

DON BROOKS - DR. DON COLBERT
"Don Brooks began his acting career as a freshman in college. A love for the theatre morphed into doing audiobooks, voiceovers, Internet projects, local and regional television and eventually film production. His feature credits include “Pilgrims Progress”, “God’s Compass”, “Virtuous”, and “Evan Almighty”.

PAULETTE TODD - MARY COLBERT
Paulette Todd has appeared in multiple film, commercial and stage projects. Paulette’s film work includes The Patriot directed by Roland Emmerich and Leo, directed by Mehdi Norowzian. Numerous stage productions include The Laramie Project, The Odd Couple, A Christmas Story, Tony and Tina’s Wedding, and The Front Page. Paulette is also regular actor portraying real historical figures in Charleston, South Carolina. She feels blessed to share in the making of this film and thanks her family for their everlasting support.

RICK ELDRIDGE - WRITER / EXECUTIVE PRODUCER / PRODUCER
CEO-Producer of ReelWorks Studios a multifaceted film/video production company in Charlotte, NC; Rick has over 35 years in the entertainment business as a musician, producer, director and entrepreneur. He has been involved in every facet of creative development and production management in the entertainment industry. His resume is a road map to an extraordinary career that includes the best and most respected names in the industry: Universal, Disney, Sony, Fox, Hallmark and ESPN, to name a few.
A few of his more notable projects include: Bobby Jones Stroke of Genius - dramatic feature, The Ultimate Gift - dramatic feature (Trilogy of films including “LIfe” and “Legacy”, Running The Sahara - feature documentary, Hermie and Friends - animated TV series, Four Blood Moons - feature documentary, The Trump Prophecy - Dramatic feature / Fathom special theatrical release 10/2018
Eldridge is a graduate of Brevard College in Music / performing arts with advanced studies in theory / composition at UNCC and digital recording at Full Sail School of Recording Arts. A 20 year veteran of the PRODUCERS GUILD OF AMERICA … He serves on several charitable, civic, and college/university boards.

STEPHAN SCHULTZE - DIRECTOR
An active industry professional, both as a writer/director and as a producer, Mr. Schultze is the founding Executive Director of the Cinematic Arts Department at Liberty University and was the former director of the Zaki Gordon Institute in Arizona.   Schultze holds an MA from Northern Arizona University,  MFA from Queens University and is an active member of the Producer Guild of America.
Schultze has produced five feature films that have had television and national theatrical releases, of which three were released through MGM, Universal and Sony.  Schultze’s writing and directing credits include God’s Compass (SONY, and The Lesser Evil, an independent film he co-authored and co-produced with Jeremy Levine (MGM).  He has an endless passion for storytelling and the development of others in their life’s calling in cinema.

SCOTTY CURLEE - PRODUCER
An award winning Korean-American writer, producer, and director specializing in faith, family, and inspirational content.
His film THE POTENTIAL INSIDE about a veteran professional cyclist on the path to redemption received eight Official Selection nominations in five countries and debuted on the STARS-ENCORE channel. His most recent film EXTRAORDINARY based on a true marriage journey released nationally through a FATHOM one night event and will be available on DVD and Digital HD through UNIVERSAL home entertainment.
Curlee brings a variety of diverse experiences from his background as semi-professional  athlete, pharmaceutical industry executive, and is also an accomplished actor having played a variety of roles including that of Rick Curtis in SONY's hit film WAR ROOM. He currently serves as Assistant Professor in the Cinematic Arts department at Liberty University training the next generation of filmmakers. 




 LLC 501C- 4 UCC 1-308.ALL RIGHTS RESERVED WITHOUT PREJUDICE





Content and Programming Copyright 2018 By Patcnews The Patriot Conservative News Tea Party Network © LLC UCC 1-308.ALL RIGHTS RESERVED WITHOUT PREJUDICE All copyrights reserved By Patcnews The Patriot Conservative News Tea Party Network Copyright 2018 CQ-Roll Call, Inc. All materials herein are protected by United States copyright law and may not be reproduced, distributed, transmitted, displayed, published or broadcast without the prior written permission of CQ-Roll Call. You may not alter or remove any trademark, copyright or other notice from copies of the content.  © All Copyrights reserved By Patcnews The Patriot Conservative News Tea Party Network


( The Trump Prophecy ) Patcnews April 29, 2018 The Patriot Conservative News Tea Party Network Reports The Trump Prophecy © All Copyrights reserved By Patcnews








 ‘The Trump Prophecy,’ the Story of a Man Who Saw the 45th President in Office Before It Happened, Comes to U.S. Cinemas October 2 and 4 Only

Based on the Book by Mark Taylor and Mary Colbert, Audiences Will See Taylor’s Astonishing Personal Experience Portrayed on the Big Screen

DENVER – June 4, 2018 – “The Trump Prophecy” explores Mark Taylor’s vision of the future and the power of prayer. Taylor and Mary Colbert co-wrote the book, “The Trump Prophecies,” chronicling Taylor’s remarkable journey from his traumatic work as a firefighter through the evening of election night, 2016. Part of that book is the basis for “The Trump Prophecy,” coming to movie theaters across the country for an exclusive two-night event this October.

Tickets for “The Trump Prophecy” can be purchased at www.FathomEvents.com and participating theater box offices.

Fathom Events and ReelWorks Studios bring “The Trump Prophecy” to more than 650 select movie theaters on Tuesday, October 2 and Thursday, October 4 at 7:00 p.m. local time (both dates), through Fathom’s Digital Broadcast Network (DBN). For a complete list of theater locations, visit the Fathom Events website (theaters and participants are subject to change).

“I was given the book by a friend who, after reading it, was moved to ask me to consider meeting with Mary Colbert and Mark Taylor to discuss the potential of making this remarkable story into a feature film,” CEO of ReelWorks Studios and producer Rick Eldridge, said. “After I read it, I thought it would make a powerful and empowering film. I took the idea to my team and we decided to move forward.”

On April 28, 2011, Mark Taylor, recently retired from a demanding career as a fireman, awoke at 2:00 a.m. Unable to return to sleep, he turned on his TV. Clicking through channels, he stopped at C-Span; the man on his screen was Donald Trump. At that moment, Taylor heard God say, “You are hearing the voice of the next President.” Little did Taylor know, several dozen video recordings of others documented that they also got the same message and were equally convinced it came from God.

Years later while receiving treatments for post-traumatic stress — remnants from his work as a firefighter — Taylor’s therapist, Dr. Don Colbert, an expert in the treatment of PTS, asked permission to share Taylor’s unusual journal entry with his wife, an international ministry networker, Mary Colbert. Colbert immediately recognized the rhythm and cadence of the April 28 journal entry, as a message that was very important and special. 

“Fathom continues to explore new content that will generate conversation and join people together,” Fathom Events Chief Content and Programming Officer Gordon Synn said. “This event is a great opportunity to explore Mark Taylor’s story and bring his work with Mary to life on the big screen.”

For artwork/photos related to “The Trump Prophecy,” visit the Fathom Events press site.

About Fathom Events
Fathom Events is the leading event cinema distributor with participating theaters in all 100 of the top Designated Market Areas®, and ranks as one of the largest overall distributors of content to movie theaters. Owned by AMC Entertainment Inc. (NYSE: AMC), Cinemark Holdings, Inc. (NYSE: CNK) and Regal Entertainment Group (NYSE: RGC) (known collectively as AC JV, LLC), Fathom Events offers a variety of one-of-a-kind entertainment events in theaters such as live performances of the Metropolitan Opera, top stage productions including Newsies! The Broadway Musical and George Takei’s Allegiance, major sporting events such as Mayweather vs. McGregor, epic concerts with artists like Lady Antebellum and Sammy Hagar, the yearlong TCM Big Screen Classics series, inspirational events such as Is Genesis History? and IN OUR HANDS: The Battle for Jerusalem, and popular anime franchises like Pokémon and Dragon Ball Z. Fathom Events takes audiences behind the scenes for unique extras including audience Q&As, backstage footage and interviews with cast and crew, creating the ultimate VIP experience. Fathom Events’ live digital broadcast network (“DBN”) is the largest cinema broadcast network in North America, bringing live and pre-recorded events to 917 locations and 1,440 screens in 181 DMAs. For more information, visit www.fathomevents.com.

About ReelWorks Studios
ReelWorks Studios, LLC was founded by Rick Eldridge in August of 2009 as a production services and distribution management company. Business offices are located in Charlotte, North Carolina with representation and offices in Santa Monica, California. CEO, Rick Eldridge, has been in the entertainment business for over 35 years as a producer, director, musician, and creative visionary. The company now has over 100 titles under management comprised of feature film, television programming and digital media.

MEDIA CONTACTS:
Jessica Nelson    / Katherine Schwappach               
Fathom Events           
720-262-2753 / 720-262-2713
jnelson@fathomevents.com / kschwappach@fathomevents.com

Jackie Marushka
Marushka Media for ReelWorks Studios
615-417-6500
jackie@MarushkaMedia.com




ReelWorks Studios Delivers The Trump Prophecy
A True Story of Hope and the Power of Prayer
In Movie Theaters Oct. 2 and 4 Only

(Charlotte, NC) May 21, 2018  — On April 28, 2011 Mark Taylor — a recently retired firefighter — woke at 2 AM. Unable to return to sleep, he turned on his TV. Clicking through channels, he stopped at C-Span. The man on his screen was Donald Trump.
At that moment Mark heard God say, “You are hearing the voice of the next President.” Little did Mark know several dozen video recordings of others documented that they also heard the same message and were equally convinced it came from God.

Years later while receiving treatments for post-traumatic stress — remnants from his work as a firefighter — Mark’s therapist, Dr. Don Colbert, an expert in the treatment of PTS, asked permission to share Mark’s unusual journal entry with his wife, an international ministry networker, Mary Colbert. Mary immediately recognized the rhythm and cadence of the April 28 journal entry, as a message that was very important and special.

After seeking counsel and much prayer, Mary created the Nation Builders prayer network, which grew organically to hundreds of thousands of Christians uniting in prayer for our nation and it’s leadership.

Mark and Mary eventually co-wrote a book chronicling his remarkable journey from his stressful work as a firefighter, through the evening election night, 2016. Part of that book is the basis for the The Trump Prophecy — a film focusing on the power of prayer and the biblical mandate to pray for those in authority over us.

Rick Eldridge, CEO of ReelWorks Studios, is the film’s producer. “I was given the book by a friend who asked me to consider meeting with Mary and Mark to discuss the potential of making this story into a feature film. After I read it, I took the idea to my team and we decided to option Mark’s story,” says Rick.

“Things came together quickly and our production timeline began to take shape.We shot in Lynchburg, Virginia — working with several faculty and upper class film students from Liberty University’s film department in a mentoring capacity with our professional film crew. The experience with students shadowing various departments of the production, created an energy and learning environment that was unique and rewarding for all involved.”

"As I now share about the film, people are immediately curious about the title," Rick adds.  "I get a lot of passionate responses. As they listen further, they become compelled by Mark’s prophecy and Mary’s call to action. This film is for the Christian audience, but it is also for anyone who believes — even a little bit —in the power of prayer, and the heritage of our great country.”
The Trump Prophecy tells the story of the power of prayer set against the backdrop of the everyday trials facing a simple man of faith — a dedicated career public servant whom God chose to give a special message of hope for our nation. This story encourages all Americans to pray for our country and our leadership as a scriptural mandate.

The film encourages viewers, that through the power of prayer, acceptance of Biblical principles and adherence to America’s five founding ideals, Equality, Rights, Liberty, Opportunity, and Democracy, that as One Nation Under God we can each make a positive impact on the world around us.
“If my people, which are called by my name, shall humble themselves, pray and seek my face and turn from their wicked ways, then I will hear from heaven and will heal their land.” — 2nd Chronicles 7:14

The Trump Prophecy will come to movie theaters nationwide on October 2 and 4 through Fathom Events, the leading event cinema distributor. Tickets will be available on Friday, June 1, 2018 here: http://thetrumpprophecymovie.com

Follow The Trump Prophecy Movie on Social Media:
Facebook:  https://www.facebook.com/thetrumpprophecy/
Instagram: https://www.instagram.com/trump_prophecy/
Twitter:  https://twitter.com/trump_prophecy
Sign up to receive updates on the film, here: http://thetrumpprophecymovie.com/updates
To view the film's trailer, please visit: http://thetrumpprophecymovie.com

About ReelWorks:
ReelWorks Studios, LLC was founded by Rick Eldridge in August of 2009 as a production services and distribution management company. Business offices are located in Charlotte, North Carolina with representation and offices in Santa Monica, California. CEO, Rick Eldridge, has been in the entertainment business for over 35 years as a producer, director, musician, and creative visionary. The company now has over 100 titles under management comprised of feature film, television programming and digital media.

# # #

For press information, please contact: Jackie Marushka at Jackie@MarushkaMedia.com




CHRIS NELSON - MARK TAYLOR
As a film actor, some of his credits include Chris in Terrence Malick's The New World, starring Colin Farrell, Davey Boy Smith in the independent feature Judges and David in the independent feature As It Is In Heaven.  Additionally, he has worked professionally on stage in Peter Pan (Captain Hook), Les Miserables (Thenardier), Beauty and the Beast (Lumiere), and Mary Poppins (George Banks).  Chris also teaches at Liberty University in the Department of Theatre Arts where he directs, creatively manages The Encounter, a radio drama program (www.encounterseries.com), and coordinates arts programming for young kids.

KAREN BOLES - MARY JO TAYLOR
Karen Boles is an award-winning actress known for portraying strong female protagonists.  She began her training at the VA Governor’s School for the Arts where she interned for two years with the prestigious Virginia Stage Company.  After graduation, Karen continued her studies at Old Dominion University where she originated the role of Sarah Littleton in the world premiere of In the Land of the Adagahi.  As her career broadened into film and television with roles in The FBI Files and In Mysterious Ways, Karen sharpened her on-camera training at The Actors Lab studying under J.D. Lewis.  Recent film and television credits include Sleepy Hollow (Fox), Complications (USA Network), Dynasty (The CW), and Strings (2018).  She is passionate about character-driven narrative stories, enthusiastically seeking out positions both in front of and behind the camera.  

DON BROOKS - DR. DON COLBERT
"Don Brooks began his acting career as a freshman in college. A love for the theatre morphed into doing audiobooks, voiceovers, Internet projects, local and regional television and eventually film production. His feature credits include “Pilgrims Progress”, “God’s Compass”, “Virtuous”, and “Evan Almighty”.

PAULETTE TODD - MARY COLBERT
Paulette Todd has appeared in multiple film, commercial and stage projects. Paulette’s film work includes The Patriot directed by Roland Emmerich and Leo, directed by Mehdi Norowzian. Numerous stage productions include The Laramie Project, The Odd Couple, A Christmas Story, Tony and Tina’s Wedding, and The Front Page. Paulette is also regular actor portraying real historical figures in Charleston, South Carolina. She feels blessed to share in the making of this film and thanks her family for their everlasting support.

RICK ELDRIDGE - WRITER / EXECUTIVE PRODUCER / PRODUCER
CEO-Producer of ReelWorks Studios a multifaceted film/video production company in Charlotte, NC; Rick has over 35 years in the entertainment business as a musician, producer, director and entrepreneur. He has been involved in every facet of creative development and production management in the entertainment industry. His resume is a road map to an extraordinary career that includes the best and most respected names in the industry: Universal, Disney, Sony, Fox, Hallmark and ESPN, to name a few.
A few of his more notable projects include: Bobby Jones Stroke of Genius - dramatic feature, The Ultimate Gift - dramatic feature (Trilogy of films including “LIfe” and “Legacy”, Running The Sahara - feature documentary, Hermie and Friends - animated TV series, Four Blood Moons - feature documentary, The Trump Prophecy - Dramatic feature / Fathom special theatrical release 10/2018
Eldridge is a graduate of Brevard College in Music / performing arts with advanced studies in theory / composition at UNCC and digital recording at Full Sail School of Recording Arts. A 20 year veteran of the PRODUCERS GUILD OF AMERICA … He serves on several charitable, civic, and college/university boards.

STEPHAN SCHULTZE - DIRECTOR
An active industry professional, both as a writer/director and as a producer, Mr. Schultze is the founding Executive Director of the Cinematic Arts Department at Liberty University and was the former director of the Zaki Gordon Institute in Arizona.   Schultze holds an MA from Northern Arizona University,  MFA from Queens University and is an active member of the Producer Guild of America.
Schultze has produced five feature films that have had television and national theatrical releases, of which three were released through MGM, Universal and Sony.  Schultze’s writing and directing credits include God’s Compass (SONY, and The Lesser Evil, an independent film he co-authored and co-produced with Jeremy Levine (MGM).  He has an endless passion for storytelling and the development of others in their life’s calling in cinema.

SCOTTY CURLEE - PRODUCER
An award winning Korean-American writer, producer, and director specializing in faith, family, and inspirational content.
His film THE POTENTIAL INSIDE about a veteran professional cyclist on the path to redemption received eight Official Selection nominations in five countries and debuted on the STARS-ENCORE channel. His most recent film EXTRAORDINARY based on a true marriage journey released nationally through a FATHOM one night event and will be available on DVD and Digital HD through UNIVERSAL home entertainment.
Curlee brings a variety of diverse experiences from his background as semi-professional  athlete, pharmaceutical industry executive, and is also an accomplished actor having played a variety of roles including that of Rick Curtis in SONY's hit film WAR ROOM. He currently serves as Assistant Professor in the Cinematic Arts department at Liberty University training the next generation of filmmakers. 




 LLC 501C- 4 UCC 1-308.ALL RIGHTS RESERVED WITHOUT PREJUDICE





Content and Programming Copyright 2018 By Patcnews The Patriot Conservative News Tea Party Network © LLC UCC 1-308.ALL RIGHTS RESERVED WITHOUT PREJUDICE All copyrights reserved By Patcnews The Patriot Conservative News Tea Party Network Copyright 2018 CQ-Roll Call, Inc. All materials herein are protected by United States copyright law and may not be reproduced, distributed, transmitted, displayed, published or broadcast without the prior written permission of CQ-Roll Call. You may not alter or remove any trademark, copyright or other notice from copies of the content.  © All Copyrights reserved By Patcnews The Patriot Conservative News Tea Party Network


( Gordon Ramsay Hell's Kitchen ) Patcnews April 29, 2018 The Patriot Conservative News Tea Party Network Reports Gordon Ramsay Hell's Kitchen © All Copyrights Reserved By Patcnews

Gordon Ramsay reveals his favorite Hell's Kitchen insults

Patrick Wymore/FOX
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September 17, 2018 at 01:13 PM EDT
For more on fall TV, pick up the new issue of Entertainment Weekly on stands now, or buy it here. Don’t forget to subscribe for more exclusive interviews and photos, only in EW.
Whether you consider him a brilliant culinary entrepreneur or screamy self-promoter, Gordon Ramsay has had fronted more successful U.S. broadcast reality shows than anybody else. Below we interview the famously volatile chef and producer about the upcoming 18th edition of Fox’s Hell’s Kitchen, asked for his favorite put-downs and his junk food guilty secret. Plus we discussed his controversial upcoming NatGeo show Uncharted, CBS’ attempt to import Love Island and what he thinks the secret is to his longevity in Hollywood.  
ENTERTAINMENT WEEKLY: So what’s unique about this Hell’s Kitchen season?
GORDON RAMSAY: I’m so excited about the rookies, the young hungry talent who haven’t gotten the finance to go to culinary school. They haven’t the wish to leave culinary school with a $100,000 debt. So these are warriors. These are millennials who have been studying on YouTube. They’ve been taking classes and they’re hungry raw talent. I wanted to give the All-Stars a bit of a kick in the ass, and bringing the rookies against the pros. It’s an interesting mix. It’s just an incredibly highly competitive insight into the culinary world and they got some rough diamonds this year that hone their talents beyond belief. It’s by far the best season we’ve done so far.

Really, the best you’ve done out of all 18?
Without a doubt.

How do you still manage the outrage that new contestants don’t know how to cook?
I get indigestion. If it’s not Pepto-Bismol, it’s Xantac to keep my f—ing heartburn controlled. The biggest problem from a chef point of view is everybody thinks they can cook because they hosted a dinner party. They think they can transfer that skill from running a six-top or 10-top to running a restaurant. I welcome that attitude. Can you name a sports person or an amazing success anywhere in the world that doesn’t have a bit of attitude?

You’ve said so many colorful things to contestants over the years. A couple of them, the idiot sandwich and the SpongeBob ones, have become memes online. What is your all-time favorite rebuke of a contestant?





When they lie it’s the worst insult that any chef can hear. When somebody lies to you it’s worse than working with somebody who can’t cook. Because when you trust someone with your reputation and they cross that line, they want [the food] out of their sight and they tell you they finished it, and you know they’re lying, that’s the worst. They also get a bit carried away with these flash materials. They got the best Japanese knife that costs $700. There’s no point in buying the best knife if you can’t f—ing slice [correctly]. But I think the biggest insult I would turn around and say was, “I’ve forgotten more than you know,” or “the butternut squash, would like it diced and rammed up your backside?”
Have you ever said something to a contestant that you genuinely regretted?
I don’t record myself and don’t press playback. I’ve never sat at home and watched myself and thought, “F—ing hell, what a dick.” By the time it comes out, I’ve moved on. So no. I take the feedback. The one thing I’ve realized is you can’t please everybody. I believe in getting straight to the point. Don’t give me the problem, give me the solution, that’s crucial.

Are there things that you used to be allowed to say to contestants that you no longer can?
That’s a tough one. Listen, the climate is changing. The best chefs in the world are female because they only need to be told once. I’ve never said anything so below the belt. In the heat of the moment, it’s like when the Clippers playing the Lakers. If you could listen to every word a basketball player or football player is saying, you’d be shocked. I’m just of-the-moment. I get it off my chest, I think that’s healthy.

What’s the trashiest, most embarrassing junk food you’ll admit to occasionally eating?
I love hamburgers. When everybody said five years ago, “Hold up, a Brit is going to open up a burger store in Las Vegas?” They said [Gordon Ramsay Burger would] last three days. We went past our 1 millionth burger sold in the first three years of business. There’s a line outside the door for 90 minutes. So burgers are my go-to. I have a drive-thru just down the road from me in L.A. and [I go to] either In-N-Out Burger or Fat Sal’s.

Speaking of Vegas, you had to remove the flaming Rum Donkey cocktail from your Las Vegas Hell’s Kitchen restaurant due to guests burning themselves even though it’s a drink served all over the world. When you heard that, did you think the drink was a mistake or that tourists in the U.S. are idiots?
I wanted to take two slices of bread and put it on their ears. When you’re drinking flambe cocktails it needs to be done with caution. It was a freak accident that we were sincerely apologetic about. There’s always something risk averse when you’re serving flame cocktails, so it’s a tough one, isn’t it?

Have you seen all those YouTube videos editing your cooking comments into a slew of sexual references and, if so, thoughts?







GORDON RAMSAY:  No, the kids, every time something makes the round, they want to show me stuff, I say, “Please, not now.” The one I did sit down and watch was the epic rap battle. That was  hilarious.




You also have a new NatGeo show in the works, Uncharted, that’s received some criticism before people have even seen it, saying it sounds like Anthony Bourdain’s shows. What’s been your reaction to that?
God, the feeble warriors that sit in their dungeons and spout negativity without understanding what we’re doing. I’ve been doing assertive, combustial shows since 2006 since I started The F Word — whether it’s diving for giant crab or hanging off a 500-meter cliff chasing puffins. So I’ve been on that level of exploration and understand those cultures. I’m a chef that needs to get motivated by understanding different cultures. I helicoptered into Nagaland 50 kilometers from the Burmese border in Northern India and cooked at a wedding. And in order to get accepted into the wedding, I had to buy a f—ng buffalo. That was 12 years ago. Tony Bourdain was a great mate of mine. We were on the red carpet together last year at the Emmys. I think he’d be happy and impressed at [Uncharted‘s] level of jeopardy and jumping into these [places] — Brazil, Peru, Alaska — and sourcing incredible ingredients and then highlighting some of the best [culinary] talent that hasn’t been noticed yet. It’s a dream come true. Judge [Uncharted] when you see it. The research going into [the show] is extraordinary. We’re [airing in] half a billion homes, 177 countries, in 43 different languages. And I can’t wait to make all those bitter, twisted, little, boring truckers who aren’t busy enough in their lives eat their words.

As reality show host and producer on both sides of the Atlantic: Do you think Love Island will work in the United States?
You think of the dating shows, and sometimes they’re over-produced in a way that’s formulaic. Who’s getting the rose? It’s shambolic when you date someone and agree to marry them on TV and then three months later you’re not even talking to one another. With this idea, Love Island, it’s absolutely perfect. There’s temptation and you’re holding your nerve without overcommitting yourself in a way that you look cheap. It’s aimed at a younger demo. It will be interesting to see how CBS modifies that explicit insight. Do I think it will work? Yes, I do. It’s going to be a more raw look at relationships. You can go on Tinder now and swipe someone within 15 minutes. My assistant, when he broke up with his girlfriend, literally 24 hours later he was in bed with someone he had known for 17 minutes. Love Island will help put romance back into dating and make it even more worthwhile, building a bit of jeopardy, [with contestants] not thinking of people as objects, building up a bit of feelings. I think that’s what will come across.

I just watched season 4, and it’s a terrific format. I’m curious if CBS waters it down or if they’re really going to go for it.
They’re gonna go for it because the youth today are too impatient and distracted. We need to up the ante. If CBS keeps it raw it’s going to be a big hit. I’ve also banned my three daughters from ever appearing on it.

Finally, you’ve hosted more successful U.S. broadcast TV reality shows than anybody else. What quality do you think has most contributed to your success?
I keep it real. It’s drama but unscripted. It’s incredible pressure and I equally need to be under the same amount of pressure that I’m applying — whether it’s to contestants, to a mystery box challenge, or even if it’s to an 8-year old that wants to cook. I don’t like failure. I identify my own mistakes immediately. I don’t dwell on things. And I think dusting yourself down and becoming vulnerable is the key to my success because it [keeps the shows] fresh instead of becoming complacent. I study every new cooking show in the world — whether its the new Netflix show, Sugar Rush, or whether its The Final Table, a show that hasn’t even aired yet. I’m talking to producers and want to hear what we haven’t done yet so I can apply more creativity coming into the next season.

I canceled my own show on Fox, Kitchen Nightmares. I woke up in the middle of the south of France after filming a week with a British guy I wouldn’t trust to run my bath, let alone my restaurant. Because he was running a ski resort, he felt like he could take advantage of all those customers because there was nowhere else to eat. He was giving me shit for telling him the truth and I thought, “I’m done.”
I got a phone call [from Fox] and the call went like this: “You know Gordon, before you take your own show down, don’t you think we should talk about that together, as your partners? We don’t mind you resting it, but we’d like to come back with something stronger.” I rested it for three years and came back with 24 Hours to Hell & Back. So I’m my own tough taskmaster and I put myself through the mill equally as I do with any particular restaurant, or challenge or competition.
Hell’s Kitchen returns Friday, Sept. 28, 2018. 

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Content and Programming Copyright 2018 By Patcnews The Patriot Conservative News Tea Party Network © LLC UCC 1-308.ALL RIGHTS RESERVED WITHOUT PREJUDICE All copyrights reserved By Patcnews The Patriot Conservative News Tea Party Network Copyright 2018 CQ-Roll Call, Inc. All materials herein are protected by United States copyright law and may not be reproduced, distributed, transmitted, displayed, published or broadcast without the prior written permission of CQ-Roll Call. You may not alter or remove any trademark, copyright or other notice from copies of the content.  © All Copyrights Reserved By Patcnews The Patriot Conservative News Tea Party Network

Friday, April 27, 2018

( facebook is facing major violations of federal law ) Patcnews April 27, 2018 The Patriot Conservative News Tea Party Network Reports facebook facebook is facing major violations of federal law © All Copyrights Reserved By Patcnews






 

Martin Lewis drops Facebook legal action

 It’s Not Enough to Fine Facebook. The Feds Are Going To Get Mark Zuckerberg.

Consumer campaigner Martin Lewis has dropped his legal action against Facebook over a series of ads that ran on its platform, falsely claiming he backed several investment schemes.
The MoneySavingExpert website founder had claimed the fake endorsements had caused him reputational damage.
He said he had agreed to drop the case after Facebook agreed to introduce a scam ads reporting button.
In addition, Facebook will donate £3m to a new Citizens Advice project.
The scheme, which will launch in May, will be dedicated to identifying and fighting online scams and supporting their victims.
It will include work to develop tools to help the public identify such fraudulent activity.
Facebook's investment will be made over a three-year period and consist of £2.5m in cash and a further £500,000 worth of advertising credit.
"The amount being donated to set up the Citizens Advice scams action project is far above anything I could've won had I succeeded in a court," Mr Lewis said in a statement.
"The aim of my campaigning lawsuit was always to stop scam ads and to help those who have fallen victim to them.
"What we're announcing today does that at a far bigger scale than I could've hoped for."

Risky bets

Mr Lewis announced his decision at a joint press conference with Facebook in London, which was live-streamed on Facebook.

 

Facebook is not as family-friendly as you think, working moms say

SAN FRANCISCO – When it comes to benefits for parents, working at Facebook is about as family-friendly as you get. Parking for expectant mothers. "Baby cash" of $4,000 to cover expenses. Subsidized day care costs. And the four months of paid leave at the social media giant is among the longest offered in the USA.
Even with all this corporate help, some working moms at Facebook say they can't balance the demands of their jobs and grueling commutes with raising a family – and they blame Facebook's failure to extend more leave to parents or to grant a perk that's becoming increasingly common in corporate America: allowing employees to work part-time or from home.
These grievances, which simmered internally at Facebook before becoming public last week, reveal a side of Facebook that contrasts with its family-forward messaging and the leadership of Chief Operating Officer Sheryl Sandberg, who exhorted generations of women to "lean in" to their careers. Even at America's wealthiest companies, where policies cater to working parents, moms say they still can't get the time and flexibility they need. 

The United States is the only advanced nation that does not guarantee paid maternity leave. Upworthy lists all the reasons why paid leave is good for business. Upworthy
Data scientist Eliza Khuner, 38, says she quit her job at Facebook in July after being told she could not work from home nor could she work part-time. Her request to take additional unpaid leave to care for her infant daughter was rejected.
Facebook declined to comment.
In sharing her regrets about leaving Facebook, first with Facebook employees, then more widely in a column for Wired magazine ("Why It's So Hard to Be a Working Mom. Even at Facebook"), the mother of three sparked a growing debate over Facebook's internal policies and the state of paid parental leave in the USA.

Khuner says she knows Facebook employees have it far better than most. In the USA, the only developed nation that does not require any paid leave for new parents, millions of Americans – 85 percent of workers – don't get a single paid day off work after the birth or adoption of a child. Ninety-four percent of low-income working people have no access to paid family leave. As a result, women work late into their pregnancies, and a quarter of women return to work within 10 days of giving birth.
White-collar workers in the USA are most likely to get paid leave, and hourly workers are the least likely. In recent years, technology companies have led the charge in giving parents more time off, but even the most generous U.S. companies such as Facebook fall far short of Europe and Canada. Pressure is mounting for the federal government to step in as more cities and states pass family leave legislation requiring employers to give staffers a minimum number of paid days off to care for family members, including a new baby.
"We say Facebook is this great company and that it's so great for parents, all knowing that it's a four-month leave, which just indicates that, in our culture, we think a four-month leave is generous and it's just not, and somebody had to say it," Khuner says.  "I thought there might be other people like me who don't feel like it's the right time to leave their baby and feel that it's wrong to say you are supposed to come back to work full-time, no matter what, when your baby is that young."
Reaction poured in from current and former Facebook employees who say they, too, have struggled or been sidelined.
Women, drawn to Facebook by high salaries and cushy perks, challenging assignments and the camaraderie with peers, shared stories of crying at their desks or dreading returning to work. Others said they left the company to join another or switched to part-time or contract work. 
“I loved Facebook but just couldn’t figure out how to be a good, present mom while also doing great in my job,” one former Facebook employee wrote in a private Facebook group for moms working in tech with thousands of members.
"I'm on month 2 of my leave and terrified to go back," a Facebook mom wrote. "I know what's waiting for me, lots of travel, hundreds of emails, projects."
"I just returned to work to Facebook after four months of leave and it is WAY TOO SHORT," another commented.
“I also left Facebook after a horrendous experience returning to work,” still another said. “I’m amazed a company with Sheryl Sandberg could be so unsupportive of parents.”
The comments delivered a public relations blow to Facebook's family-friendly reputation and to Sandberg. Ever since her best-seller "Lean In" stirred a global debate about women in the workplace, Facebook's chief operating officer has championed policies to level the playing field.

Facebook COO Sheryl Sandberg is photographed at her desk at Facebook headquarters in Menlo Park, Calif., June 16, 2017. (Photo: Martin E. Klimek, USA TODAY)

As arguably the most prominent woman in tech, Sandberg has worked to close the gender gap at Facebook where, as at most major tech companies, men significantly outnumber women in the U.S. workforce, technical roles and senior leadership. Amid heated competition for top talent, she has positioned Facebook at the forefront of a growing movement among tech companies to promote policies that help parents.
The Menlo Park, California, company helped set a standard for paid leave in the tech industry. Facebook CEO Mark Zuckerberg led by example, taking a couple of months off after the birth of each of his two daughters.
Katie Bethell, founder and executive director of the Paid Leave US campaign, says Facebook and Sandberg deserve credit for taking the lead on paid leave but are missing an important opportunity to do so again by extending the amount of leave parents get and by helping parents ease back into the workforce with more flexibility in how they work and from where. 
Thirty-nine percent of employees worked remotely in 2012, according to Gallup data. By 2016, that number hit 43 percent. Employees  spent more work time out of the office. Nearly a third spent 80 percent or more time working remotely in 2016, up from 24 percent in 2012. 
"The fact that Facebook is better than most everyone else doesn't mean they are immune from challenges to do more," Bethell said.
Former Facebook employee Eliza Khuner and her daughter (Photo: Eliot Khuner (ekphoto.com))
The tech industry is tops in paid leave for parents and Facebook is one of its leaders. 
The social media giant has gone to great lengths to help its employees with their caregiving responsibilities of other workers. Last year Sandberg announced that Facebook would begin giving up to 20 days of bereavement leave in the event of a family member's death, six weeks of paid leave to care for a sick relative and three days of paid family sick time. women continue to disproportionately bear the responsibilities of caring for sick children or parents, even when they work full time. The expansive leave policy was designed to help women remain in the workforce and continue to advance in their careers.
But when it comes to parental leave, Facebook no longer leads the pack. 
Salaried employees of any gender at Netflix can take up to one year off at full pay after the birth or adoption of a child. At Salesforce, employees get 26 weeks of paid time off for primary caregivers and 12 weeks for secondary caregivers to bond with a new baby or adopted child. Microsoft announced last month that it would require its contractors with at least 50 employees in the USA to offer at least 12 weeks of leave to workers with substantial assignments at the tech giant.
How much paid leave employees get depends on where they are located. In the USA, Google offers parents who give birth 22 to 24 weeks of paid leave and 12 weeks for parents who don't give birth. Google employees in the U.K. who give birth receive 52 weeks of paid leave, and new parents who don't give birth get 12 weeks.
Corporations that offer longer leaves don't always have cultures that encourage parents to take them. 
"I talk to a lot of women who work in tech, and there's so much frustration with this conflict between the promise and the reality of being a working parent," Bethell said.
Facebook, which faces crises on multiple fronts amid the spread of false news, hate speech and foreign election interference, is growing at a breakneck pace. Some working mothers with supportive managers are able to negotiate more flexible work schedules, but much depends on the job and the team, prompting some Facebook moms to leave the company.

 It's not just the demanding hours. Soaring housing prices near Facebook's Silicon Valley headquarters force employees into lengthy commutes that extend their workday by as much as four hours. 
The 40-mile trek from Berkeley to Menlo Park ran one hour and forty minutes each way for Khuner and was one critical factor in making what she says was the hardest decision of her life: choosing between her dream job and her child.
Khuner, who was pregnant when Facebook hired her and read "Lean In" while on leave, told fellow employees about her decision to walk away from Facebook on an internal message board. "I wrote: I love this place and I know that we can do things that people never thought possible and this is a problem we can solve," she says.
In the ensuing discussion, Sandberg explained that Facebook management could not give working parents more flexibility without putting too much strain on other employees. Khuner, her baby sleeping on her chest, attended a weekly Q&A with Facebook staffers, where she says Zuckerberg told her he would like to offer more options for working parents but couldn’t yet.
Some Facebook moms agreed. "I am here to hustle, and so are the people around me," one wrote in the Facebook group for moms in tech. "Given that's where the culture is coming from, I'm not surprised it's hard for them to add in part-time jobs. ... I think the problem is not the lack of Facebook workplace policies but the lack of longer leave in the U.S. for all parents."
Khuner's post to her fellow Facebook employees drew thousands of reactions and hundreds of comments. A few employees were critical, pointing out that Facebook offers far more than other companies and industries, but others, even some who did not have children, rallied behind her.
"Thank you for sharing, as I literally tear up at my desk. This captured so many of my fears and anxieties as a new female employee,” wrote one woman.
“I finally feel like I'm not the only one facing this problem,” wrote the mother of a 7-week-old baby.


USA Today News Is #FakeNews However they did get this News story Right today Facebook is not as family-friendly as you think, working moms say and USA Today Spent 54 millions to advertise on facebook the future for Facebook has No future
Former Facebook employee Eliza Khuner says if you have Stocks Accounts with Facebook Pull your Money out today you will be sorry if you don't do this...
You can't say I don't warn you either





Fake Advertisers love Facebook. In fact, they pour counterfeit money into it. The company's financial results say it all: Facebook raked in over $13 billion from fake ads just in the last quarter.
A new lawsuit is now asking a basic question: Are those ads working? The lawsuit, filed by InvestorVillage.com, claims that Facebook misleads advertisers about how effective it is.
"Facebook's advertising pitch is that you can put into the program exactly your target audience," says Seth Lesser, a lawyer who representing InvestorVillage in the case. "Facebook says, we can get you those such people at 89 percent accuracy."
InvestorVillage, a site that offers online discussion forums on investing, recently spent around $1,600 on two Facebook ad campaigns. The ads were targeted at people with an interest in the stock market, incomes of at least $250,000 and a college education.
The ads got a lot of likes, but the company says when it looked closer, at least 40 percent of those likes were from users outside the target audience.
Facebook sells itself as a platform that can help fake advertisers reach a target audience. Advertisers who are  in fact fake can cater their message based on where people live, how much money they earn, and their education levels. This has made Facebook extremely palatable to advertisers, who represent Facebook's main source of revenue. It has also gotten Facebook into hot water with users over privacy concerns.
Within the advertising industry, the debate about whether advertising works on Facebook is not new. A survey last year showed over 60 percent of small business owners felt fake advertising on Facebook was ineffective. The lawsuit takes it a step further, saying Facebook is misleading real advertisers.



In a statement to NPR, Facebook responded: "There's no merit to these claims. Transparency is at the heart of our relationships with advertisers." The company points to its advertising terms, which state that Facebook "cannot guarantee in every instance that your ad will reach its intended target or achieve the outcome you select."
The Fake advertising industry has been obsessed with reaching its target audience for decades. That preoccupation was one of the main themes in the 1960s-based TV show Mad Men, in which ad exec Don Draper racks his brains about how to sell products.
Draper's ad campaigns were fantastic, but he couldn't quite be sure if they'd always reach the right audience. It was hard to say with exact precision how many people will see a billboard, or read a magazine ad.
 

And then, Facebook happened. Suddenly you had one platform, with over two billion people offering information about things they love or hate, where they've been and where they'd like to go. It would be Draper's wildest dream come true. But it turns out that even with all this information, his job might not have been that much easier.
The data is so deep and vast, that it "is immeasurable now," says Saleem Alhabash, an associate professor at Michigan State University's department of advertising. He says having so much information can actually make targeting the right audience difficult.
Some advertisers will in fact tell you don't use facebook or twitter not much has changed since the days of Don Draper.
"Facebook isn't the magic potion ... [to] reach everybody and everyone starts buying your products," says Marcus Collins, an executive at Doner, an advertising agency. "We put an undue pressure on these technology platforms that we don't put on traditional media. And it's not fair."
Collins says Facebook is just a platform that draws millions of advertisers. It's a powerful one. But it's not infallible, as InvestorVillage discovered.
No matter how much technology and data we have, Collins says convincing people to buy is always going to be more than just a numbers game.




How the CIA-WikiLeaks Drama Could Reignite the DC-Silicon Valley Feud

President Trump Was Right
Facebook Security has failed to do there job right Cyber Attacks with Hillary Clinton meeting with Edward Snowden leaks occurred form Russia




Amazon's chief Jeff Bezos, Larry Page of Alphabet, Facebook COO Sheryl Sandberg, Vice President-elect Mike Pence and President-elect Donald Trump at Trump Tower December 14, 2016.

TIMOTHY A. CLARY/AFP/Getty Images


By James Andrew Lewis
March 13, 2017 
The WikiLeaks revelation this week that the Central Intelligence Agency (CIA) has the ability to spy on people by hacking their Internet-connected devices should not have been a surprise. Nor, frankly, should it be a surprise that the commercial technology we all use is inherently cyber attacks. President Trump Was Right
Facebook Security has failed to do there job right
Cyber Attacks with Hillary Clinton meeting with Edward Snowden leaks occurred form Russia

Technology’s omnipresent vulnerability was the one of the great revelations of Edward Snowden’s National Security Agency (NSA) disclosures. In 2013, Snowden, a former NSA contractor, copied documents revealing that the agency was running a then-undisclosed global surveillance program.
When the Snowden leaks occurred, big technology companies (which are largely American) rushed to show the global market they are not puppets of the U.S. government. Facebook, Microsoft, Google, and Apple all fought to restore trust, adding encryption to their products and refusing to cooperate in investigations. Facebook, for example, strengthened encryption on its messaging app, WhatsApp. In the most well-known case, Apple refused to cooperate with the FBI in gaining access to an encrypted iPhone used by one of the shooters in the 2015 terrorist attack in San Bernardino, Calif. The FBI eventually found a workaround to access the iPhone without Apple’s help.
In standing up to the government, these companies made the case to their customers that American products can be trusted and that American companies would protect their data. This made perfect sense from a commercial perspective, but it’s naive for companies to refuse to cooperate and expect U.S. agencies to just give up. The CIA tools disclosed by WikiLeaks appear designed to work around the defenses tech companies erected after the Snowden revelations. These agencies are well-resourced, determined entities with immense technical skills. When confronted with encryption on a phone or programs designed to make it difficult for governments to access information, intelligence agencies designed tools to get around the new obstacles. And when these tools are compromised, new ones will be built.
The problem now for Silicon Valley is how to reassure their customers again after these new disclosures. If the documents are indeed true, it means that most tech consumers’ devices are open to being hacked by either the government or a malicious actor. The battle between the tech community and the federal government, which came into sharp relief after San Bernardino, may be about to restart. This would serve no one’s interest.
Some in the tech world would like government agencies to immediately reveal any bug or vulnerability they find, at least to the company that made it. We first heard these calls after the Snowden revelations. In response, the Obama administration created something called the Vulnerabilities Equities Process, an interagency review to decide when the U.S. should reveal a vulnerability it had found and when it should keep it secret for use by intelligence or law enforcement agencies. Companies now also call for a Cyber Geneva Convention where all governments would pledge to reveal immediately any vulnerability they have found.

 This is a worthy goal, but it faces two serious problems. First, intelligence agencies have little incentive to give this information up. They can justifiably claim that if they find a vulnerability and are not currently using it, they’ll never know when it might come in handy. Second, and perhaps more importantly, the vulnerabilities we know of (even those the CIA knows) are only a fraction of the universe of total vulnerabilities in information technology.

cyber attacks, whether government or criminal, are quick to take advantage of these vulnerabilities. And what’s worse, the universe of exploitable vulnerability is growing as we transition to Internet of Things devices, ranging from toasters to cars that for reasons of cost and design are often not very secure. The problem is not that government isn’t telling Silicon Valley about what it finds, the problem is that Silicon Valley—in addition to some car, television, and appliance companies—writes buggy software.
A replay of the San Bernardino debate won’t help anyone. The tech world may have to accept that vulnerability disclosure is not a panacea. Intelligence agencies could do more harm than good if they promise to never exploit a found vulnerability and tell a company immediately when they find one. At the same time, government finger-pointing at Silicon Valley’s imperfect software or new love of encryption is similarly unhelpful. Societies gain more from using buggy technology than they lose. This is why consumers continue to accept the tradeoff of less privacy for more services.
Washington and Silicon Valley would do better—for national security and business purposes—to avoid mutual blame and look for ways to rebuild the discrete partnership they once had in order to share information and fix problems before hackers can exploit them. The relationship was never perfect, but it was better than the status quo.
The goal should not be to fight over disclosing vulnerabilities or blaming people for finding them, but to reduce their number. This will take time, but if America’s East and West Coasts recognize their mutual interests, they might be able to make progress on information security.
James Andrew Lewis is a senior vice president at the Center for Strategic and International Studies.


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Content and Programming Copyright 2018 By Patcnews The Patriot Conservative News Tea Party Network © LLC UCC 1-308.ALL RIGHTS RESERVED WITHOUT PREJUDICE All copyrights reserved By Patcnews The Patriot Conservative News Tea Party Network Copyright 2018 CQ-Roll Call, Inc. All materials herein are protected by United States copyright law and may not be reproduced, distributed, transmitted, displayed, published or broadcast without the prior written permission of CQ-Roll Call. You may not alter or remove any trademark, copyright or other notice from copies of the content.  © All Copyrights reserved By Patcnews The Patriot Conservative News Tea Party Network